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Here is where the casting of DuVall might further illuminate Sofie’s inner turmoils. When Libby asks Sofie to head out to Hollywood with her and her dad, Sofie sees it as a way out of living a carnie life forever is perhaps giving in to her attraction to Libby in itself another way out of her seemingly mundane life at the carnival? Dreaming of Hollywood and its stars, Libby dyes her hair platinum blonde and goes to Sofie to get her fortune read their newfound friendship finds Sofie being protective of her “lighthearted and carefree” friend: “people think you got wild notions,” she tells her, “but that’s because they don’t got no imagination of their own.” Their interactions grow from tender to potentially erotic. In “The River” we see Sofie, a lonesome girl with a mute mother with whom she speaks telepathically, slowly grow closer to Libby (Carla Gallo), one of the “cootch” (stripper) dancers in the carnival. Thankfully, I don’t have to make sense of the intricate mythology to appreciate the show’s treatment of Sofie (Clea DuVall), the bicurious tarot reader we’ll be discussing today.
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This strikes me as the type of series that, had it been released as a book (the very language Knauf uses to describe its various two-season arcs), it’d have come equipped with endless appendixes rivaling those attached to JRR Tolkien’s Lord of the Rings trilogy. Sexuality, it turns out, is just one side of these multi-faceted characters, not even the center of their own storylines.Ĭarnivàle - “The River” (October 26, 2003)Įven after just one episode (or perhaps because of it), I feel like I should sit down and read up on everything about Daniel Knauf’s ambitious, dizzyingly opaque two-season wonder, Carnivàle, in order to better understand it. Kima, who only the episode before had come out to McNulty (“It’s not like I wave a dyke flag, y’know?” she tells him, downplaying her own coming out) is here presented in pure domestic bliss with her girlfriend, sharing a tender moment together by the time the episode ends. Yet, the fact that the show sets this conversation about his hit in an all-male space (a basketball court) with characters sharing a shirtless homosocial exchange ironizes the very homophobia that drives it. His sexuality alone (“he had a stable of boys” we learn) doubles the bounty on him after stealing some drugs from a local gang. Omar’s homosexuality is obviously a point of contention for his enemies. That the show offers up, as early as the show’s fourth episode, two mirrored visions of same-sex domesticity (in Omar and Brandon, and Kima and Cheryl) shows the richly diverse and textured world David Simon created. Centered on the drug scene in Baltimore through the eyes of law enforcement and drug dealers, the show constantly asks us to question the larger systemic issues that riddle Baltimore’s projects. Much in the same vein as Oz, The Sopranos and other early HBO dramas, The Wire takes it upon itself to not only present engaging narratives to hook viewers, but it does so while also speaking of the larger socio-economic ills that afflict contemporary America. Yes, I know, I know, The Wire is supposed to be brilliant but I’ve yet to sit down through its 60 episode run.
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It was through compiling this very very long list of 100 Queer Characters of Color in TV and Film, that I came to learn of Omar Little and detective Shakima Greggs. That said, I’m eager to hear from die-hard fans of any of these shows. Indeed, by looking at three testosterone-driven TV series we’ll see how by the mid-2000s HBO had all but become a one-stop shop for fully-realized LGBT characters.Ĭontinuing what we did when we revisited Six Feet Under, I figured we’d focus on one episode per series, both as a way to focus the discussion but also as a way of making it accessible to fellow newbies. It wasn’t, of course, as we have seen these past few months, out of character. Angels was the clearest example yet of HBO’s commitment complex, fully fleshed-out (mostly male, yes) LGBT characters. Last week we talked about the towering achievement that was Angels in America, and reading everyone’s pieces about the Mike Nichols/Tony Kushner miniseries for last week’s Hit Me With Your Best Shot was a treat.